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Dennis Muren

"I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great."

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"I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great."

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Amber Hurdle

"Being an actor means being an instrument for someone else. I want to give myself completely."

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Amber Hurdle

"A lot of actors don't like to see how they've done every day."

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Amber Hurdle

"Nuclear apocalypse - who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops."

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Amber Hurdle

"I think I am a much better actor than I have allowed myself to be."

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Amber Hurdle

"It's very difficult for me to speak about being an actor."

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Amber Hurdle

"An actor should never be larger than the film he's in."

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Amber Hurdle

"There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me."

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Amber Hurdle

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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Amber Hurdle

"I'm a good actor in that sense for directors because I always do what they say."

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Amber Hurdle

"Behind the footlights there is always the applause, which stimulates the actors. On the screen it is a different matter."

Explore more quotes by Dennis Muren

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Dennis Muren
"And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that."
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Dennis Muren
"You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening."
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Dennis Muren
"It's harder for me to work on a Forrest Gump kind of movie, where everything is invisible."
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Dennis Muren
"Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it."
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Dennis Muren
"To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming."
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Dennis Muren
"Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes."
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Dennis Muren
"So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically."
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Dennis Muren
"Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience."
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Dennis Muren
"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world."
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Dennis Muren
"I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it."
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