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"I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great."
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"Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it."
Author Name
Personal Development
"Most actors are insecure enough already without having a director who adds to that."
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Personal Development
"I think I am a much better actor than I have allowed myself to be."
Author Name
Personal Development
"We film in front of a live audience, and I was a theater actor before I got into television, so I like that."
Author Name
Personal Development
"I think it's sort of a rite of passage for a British actor to try and get the American accent and have a good crack at doing that."
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Personal Development
"It's eighty percent script and twenty percent you get great actors. There's nothing else to it."
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Personal Development
"There is some mysterious thing that goes on whereby, in the process of playing Shakespeare continuously, actors are surprised by the way the language actually acts on them."
Author Name
Personal Development
"Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four."
Author Name
Personal Development
"Um, musicians are funnier you know, than actors on the whole."
Author Name
Personal Development
"When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world."
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"I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great."
Actor
"I've done enough of this that I can tell early on if it's going in the wrong direction or not."
Direction
"I just focus on one show, when this is over then I'll start looking at what is coming up."
Focus
"To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming."
Control
"So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically."
Design
"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world."
Movies
"I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally."
War
"I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie."
Work
"You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening."
Character
"I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it."
Movies
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