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"From the port of ideas, not only the most clever ones put out to sea and conquer the world but also the most stupid ones do this!"
Author Name
Personal Development
"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."
Author Name
Personal Development
"Through your ideas, you open the window of your mind and say a hello to the world."
Author Name
Personal Development
"There is no battle or engagement with any institution, company or government; it is always an engagement of ideas."
Author Name
Personal Development
"An idea can change your fate in a wonderful way but you must first let the idea to touch your mind and your heart! No closed book can ever be your hero!"
Author Name
Personal Development
"Unless you close your door to other ideas, you will never remain idealess!"
Author Name
Personal Development
"The real battlefield is the realm of ideas."
Author Name
Personal Development
"Ideas are the invisible Gods of our universe!"
Author Name
Personal Development
"Create a good idea and leave it in the darkness; you will then see that people will come with the candles in their hands to find it, because just like the bad, the good has also a special scent!"
Author Name
Personal Development
"You can always borrow ideas; but unless you improve them very significantly, never behave as if they are your own!"
Author Name
Personal Development
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"On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb."
Dance
"What we do now is to be valued - but we need to do more, so that it's more exciting to other people, and therefore that excitement shines back on us and we're able to have the energy to do more, to widen our creativity."
People
"I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell."
Idea
"We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world."
America
"Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water."
Class
"They improve greatly, and sometimes I go and see the performances they do and I am consciously aware that there isn't enough work for the good dancers."
Work
"Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece."
Ideas
"The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made."
First
"Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year."
Time
"They should be working, and there isn't enough work."
Work
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