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Joel Coen

"When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do."

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"When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do."

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Joel Coen
"We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis."
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Joel Coen
"We have an uncanny ability to make birds do what we want them to do. In Blood Simple there's a shot from the bumper of a car and it's going up this road and a huge flock of birds takes off at the perfect moment."
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Joel Coen
"The architecture of a story can be a little bit different if it's a true story."
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Joel Coen
"I always admired Stanley Kubrick for the fact that he managed to beat the system somehow. I think he kind of had it all figured out."
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Joel Coen
"You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd."
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Joel Coen
"Maybe there should be less of a mystique around making movies. I just don't think that there's any real mystery there."
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Joel Coen
"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."
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Joel Coen
"When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer."
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Joel Coen
"I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing up in a Jewish community in Minnesota really affected it."
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Joel Coen
"We've been remarkably lucky in that we've been free to make the movies we've wanted to make the way we've wanted to make them. They've all been made for a price."
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