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Roger Vadim

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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Amber Hurdle

"My husband. He keeps me grounded. If I were in the world on my own, it would all be much more seductive. But I'm in a relationship that has nothing to do with the film world."

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Amber Hurdle

"I like the smell of film. I just like knowing there's film going through the camera."

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Roger Vadim
"There was really nothing shocking in what Brigitte did, what was provocative was her natural sensuality."
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Roger Vadim
"I wanted to show a normal young girl whose only difference was that she behaved in the way a boy might, without any sense of guilt on a moral or sexual level."
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Roger Vadim
"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."
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