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"The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work."
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"People should be courage to read books, it should be made in such way how I changed my opinion how James Patterson did it. It should be done a way in which people should se the advantages of reading a book."
Author Name
Personal Development

"She'd obviously read the book many times before, and so she read flawlessly and confidently, and I could hear her smile in the reading of it, and the sound of that smile made me think that maybe I would like novels better if Alaska Young read them to me."
Author Name
Personal Development

"If one cannot enjoy reading a book over and over again, there is no use in reading it at all."
Author Name
Personal Development

"By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas."
Author Name
Personal Development

"Sometimes it is the reader that sucks, not the book."
Author Name
Personal Development

"If someone wrote it and it had a peculiar twist, I've read it."
Author Name
Personal Development

"It is a good rule after reading a new book, never to allow yourself another new one till you have read an old one in between."
Author Name
Personal Development

"The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story."
Author Name
Personal Development

"I enjoy books as misers enjoy treasures, because I know I can enjoy them whenever I please."
Author Name
Personal Development

"He who fears he shall suffer, already suffers what he fears."
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Personal Development
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"I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for."
Experience


"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."
Environment


"What's worth living for? what's worth dying for? what's completely foolish to pursue?"
Meaning


"The novel is about five students of classics who are studying with a classics professor, and they take the ideas of the things that they're learning from him a bit too seriously, with terrible consequences."
Creativity


"A different and much deeper sort of beauty altogether. The thing and yet not the thing."
Mystery


"You'd be surprised, Theo." she said, leaning back in her shawl-shaped chair, "what small, everyday things can lift us out of despair. But nobody can do it for you. You're the one who has to watch for the open door."
Hope


"Why does that obstinate little voice in our heads torment us so?' he said, looking round the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls - which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self?"
Mortality


"I like the idea of living in a city - any city, especially a strange one - like the thought of traffic and crowds, of working in a bookstore, waiting tables in a coffee shop, who knew what kind of odd, solitary life I might slip into? Meals alone, waling the dogs in the evenings; and nobody knowing who I was."
Solitude


"I think this goes more to the idea of 'relentless irony' than 'divine providence."
Irony


"Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist."
Criticism
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