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Andrew Coyle Bradley

"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."

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"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."

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Donna Grant

"That most limited of all specialists, the "well-rounded man"."

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Personal Development

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Donna Grant

"The world system is employment."

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Personal Development

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Donna Grant

"A butler supplies food to nourish your body, but a writer nourishes your mind through writing."

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Donna Grant

"Do not be weary to make money."

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Donna Grant

"Employers are at their happiest on Mondays. Employees are at their happiest on Fridays."

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Donna Grant

"Work was intended not to give a man a reason to live, but rather to give him a means to live."

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Donna Grant

"Be robust enough to work more than a robot!"

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Donna Grant

"Being happy at work is possible for all of us, anytime & anywhere, with open eyes and a caring heart."

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Donna Grant

"Back then, work revolved around life. Today, life revolves around work."

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Donna Grant

"Do all the work you while you still have strength."

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Andrew Coyle Bradley
"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."

Shakespeare

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Andrew Coyle Bradley
"Job was the greatest of all the children of the east, and his afflictions were well-nigh more than he could bear; but even if we imagined them wearing him to death, that would not make his story tragic."

Death

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Andrew Coyle Bradley
"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."

Catastrophes

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Andrew Coyle Bradley
"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."

Effect

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Andrew Coyle Bradley
"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."

People

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Andrew Coyle Bradley
"But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections."

Work

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Andrew Coyle Bradley
"A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side."

Death

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Andrew Coyle Bradley
"When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety."

Time

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Andrew Coyle Bradley
"Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character."

Feelings

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Andrew Coyle Bradley
"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."

Folly

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