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"Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history."
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"There were in the camp a number of Mexican slaves and these ran forth calling out in spanish and were brained or shot and one of the Delawares emerged from the smoke with a naked infant dangling in each hand and squatted at a ring of midden stones and swung them by the heels each in turn and bashed their heads against the stones so that the brains burst forth through the fontanel in a bloody spew and humans on fire came shrieking forth like berserkers and the riders hacked them down with their enormous knives and a young woman ran up and embraced the bloodied forefeet of Glanton's warhorse."
"The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself."
"If anyone thinks they'd rather be in a different part of history, they're probably not a very good student of history. Life sucked in the old days. People knew very little, and you were likely to die at a young age of some horrible disease. You'd probably have no teeth by now. It would be particularly awful if you were a woman."
"The course of history is determined not by battles, by sieges, or usurpation, but by the individuals. The strongest army is, at its most basic level, a collection of individuals. Their decisions, their passions, their foolishness, and their dreams shape the years to come. If there is any lesson to be learned from history, it is that all too often the fate of armies, of cities, of entire realms rests upon the actions of one person's decision, good or bad, right or wrong, big or small, can unwittingly change the world.But history can be quite the slattern. One never knows who that person is, where he might be, or what decision he might male.It is almost enough to make me believe in destiny."
"The becoming of man is the history of the exhaustion of his possibilities."
"We have a few old mouth-to-mouth tales; we exhume from old trunks and boxes and drawers letters without salutation or signature, in which men and women who once lived and breathed are now merely initials or nicknames out of some now incomprehensible affection which sound to us like Sanskrit or Chocktaw; we see dimly people, the people in whose living blood and seed we ourselves lay dormant and waiting, in this shadowy attenuation of time possessing now heroic proportions, performing their acts of simple passion and simple violence, impervious to time and inexplicable."
Explore more quotes by August Wilson
"I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along."
"Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone."
"For me, the original play becomes an historical document: This is where I was when I wrote it, and I have to move on now to something else."
"Blacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience."
"All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other."
"Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history."
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