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"The filmmaking process is a very personal one to me, I mean it really is a personal kind of communication. It's not as though its a study of fear or any of that stuff."
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"At three in the morning the gaudy paint is off that old whore, the world, and she has no nose and a glass eye. Gaiety becomes hollow and brittle, as in Poe's castle surrounded by the Red Death. Horror is destroyed by boredom. Love is a dream."

"It is not that I was credulous, simply that I belived in all things dark and dangerous. It was part of my young creed that the night was full of ghosts and witches, hungry and flapping and dressed completely in black."

"Throughout the evolution of mankind our very much primordial ancestors had one thing in common, it was ignorance. This ignorance gave birth to fear. Fear of the unknown became a quintessential element of their daily survival. To ace the intensity of the fear, rituals of worship arose."
Explore more quotes by David Cronenberg

"But with my last film, Spider it was agony. The money was always disappearing, nobody got paid, it was very difficult - and it's very distracting from the process of making the movie, of course. So I think things have been getting harder and harder."

"If you put yourself in a group of people you cannot work with it's obviously going to be a disaster."

"I'm just observing the world. I was born into it, like you were, and then I found out there were some really disturbing aspects to being alive, like the fact that you weren't going to be alive forever - that bothered me."

"The problem with doing a schlocky or big budget studio film is that it wouldn't actually be fun for me. It wouldn't be exciting."

"You know, there's a saying in art that in order to be universal you must be specific. So I think every artist feels that he is dealing with specific things but that it also has significance universally."

"I don't mind writing so I didn't find that difficult, it's just a question of finding the time to do it. I kind of like the direct connection with the fans actually, it's pretty neat."

"I never thought I was doing the same thing as directors like John Carpenter, George Romero, and sometimes even Hitchcock, even though I've been sometimes compared to those other guys. We're after different game."

"Of course for many years directors have had to go on the road with their movies and promote them and I've done that since the beginning. So that's not new but the forms of it are different such as with the internet."

"For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors."
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