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Sean Booth

"It just comes down to taste at the end of the day, and that's something you can't really analyze. Yeah, I think to have it all there is basically best, regardless of whether there's hiss there as well."

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"It just comes down to taste at the end of the day, and that's something you can't really analyze. Yeah, I think to have it all there is basically best, regardless of whether there's hiss there as well."

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Asa Don Brown

"Don't look forward to the day you stop suffering, because when it comes you'll know you're dead."

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"Prayer: the key of the day and the lock of the night."

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Asa Don Brown

"Let us develop the resources of our land, call forth its powers, build up its institutions, promote all its great interests, and see whether we also, in our day and generation, may not perform something worthy to be remembered."

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"When someone is impatient and says, "I haven't got all day," I always wonder, How can that be? How can you not have all day?"

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"When I stop working the rest of the day is posthumous. I'm only really alive when I'm writing."

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Asa Don Brown

"So let's be honest with ourselves and not take ourselves too serious, and never condemn the other fellow for doing what we are doing every day, only in a different way."

Day,
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Asa Don Brown

"There ought to be one day - just one - when there is open season on senators."

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Asa Don Brown

"My greatest day is yet to come. Of all the things that I've accomplished, my greatest day is yet to come. But it will never come if I don't pursue it."

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"To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man."

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Asa Don Brown

"Laughter is day, and sobriety is night; a smile is the twilight that hovers gently between both, more bewitching than either."

Explore more quotes by Sean Booth

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Sean Booth
"Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances."
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Sean Booth
"We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own."
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Sean Booth
"It's claustrophobic, and I think it is to do with the amount that we're exposing people to one particular point."
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Sean Booth
"I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together."
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Sean Booth
"It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock."
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Sean Booth
"It doesn't really exist; it's just basically lots of different stages between the two pieces, and you end up with, like, a third shape that doesn't exist but is suggested to you by the image."
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Sean Booth
"So we should preserve it. I don't think that digital storage is necessarily a good thing, but I definitely think that digital manipulation is interesting."
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Sean Booth
"They've been brought up on the best music. It's gonna be so good."
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Sean Booth
"I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks."
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Sean Booth
"It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like."
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