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Branford Marsalis

"One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community."

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"One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community."

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"I want music, I don't want stupidity, (Hey)... (mey)... I don't give a shit, so far it sounds like stupidity changes tracks and it's on the track and it waits to appear!"

Explore more quotes by Branford Marsalis

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Branford Marsalis
"You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't."
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Branford Marsalis
"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"
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Branford Marsalis
"What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America."
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Branford Marsalis
"It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore."
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Branford Marsalis
"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."
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Branford Marsalis
"Jazz fans love Miles and I love him for a myriad of reasons, but the overviews are always too simplistic."
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Branford Marsalis
"The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music."
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Branford Marsalis
"It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest."
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Branford Marsalis
"There's not one Tin Pan Alley song on my record."
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Branford Marsalis
"The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid."
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