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Karlheinz Stockhausen

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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Asa Don Brown

"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

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Asa Don Brown

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

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Asa Don Brown

"Get someone else to blow your horn and the sound will carry twice as far."

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Asa Don Brown

"My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room."

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Asa Don Brown

"I think I sound like Barry White."

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Asa Don Brown

"If you're not Prince, you're never going to sound like Prince."

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Asa Don Brown

"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."

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Asa Don Brown

"I think I have a basic sound aesthetic that is in most of what I do."

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Asa Don Brown

"This is my second bass that Paul built me. There were some changes that were made. Sometimes I think of changes that could be made having to do with both the sound and the feel. It's definitely a beautiful instrument."

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Asa Don Brown

"I only sound intelligent when there's a good script writer around."

Explore more quotes by Karlheinz Stockhausen

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Karlheinz Stockhausen
"Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo."
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Karlheinz Stockhausen
"Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him."
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Karlheinz Stockhausen
"I became aware that all sounds can make meaningful language."
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Karlheinz Stockhausen
"But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore."
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Karlheinz Stockhausen
"Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing."
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Karlheinz Stockhausen
"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."
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Karlheinz Stockhausen
"Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm."
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Karlheinz Stockhausen
"And I'm always interested when other musicians are trying to discover new worlds of sound."
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Karlheinz Stockhausen
"And harmony means that the relationship between all the elements used in a composition is balanced, is good."
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Karlheinz Stockhausen
"No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular."
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