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Karlheinz Stockhausen

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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Amber Hurdle

"The empty vessel makes the loudest sound."

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Amber Hurdle

"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

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Amber Hurdle

"Get someone else to blow your horn and the sound will carry twice as far."

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Amber Hurdle

"The sound of the orchestra is one of the most magnificent musical sounds that has ever existed."

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Amber Hurdle

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

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Amber Hurdle

"We've got a generation now who were born with semiequality. They don't know how it was before, so they think, this isn't too bad. We're working. We have our attache' cases and our three piece suits. I get very disgusted with the younger generation of women. We had a torch to pass, and they are just sitting there. They don't realize it can be taken away. Things are going to have to get worse before they join in fighting the battle."

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Amber Hurdle

"Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head."

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Amber Hurdle

"When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves."

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Amber Hurdle

"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."

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Amber Hurdle

"I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created."

Explore more quotes by Karlheinz Stockhausen

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Karlheinz Stockhausen
"But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore."
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Karlheinz Stockhausen
"And I'm always interested when other musicians are trying to discover new worlds of sound."
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Karlheinz Stockhausen
"I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus."
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Karlheinz Stockhausen
"Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing."
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Karlheinz Stockhausen
"It is true that the eyes dominate the ears in our time."
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Karlheinz Stockhausen
"Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public."
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Karlheinz Stockhausen
"No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular."
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Karlheinz Stockhausen
"But I'm an adventurer. I like invention, I like discovery."
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Karlheinz Stockhausen
"Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm."
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Karlheinz Stockhausen
"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."
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