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Lee Konitz

"A lot of bands were doing remotes from ballrooms around the country."

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"A lot of bands were doing remotes from ballrooms around the country."

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Lee Konitz
"It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music."
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Lee Konitz
"After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way."
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Lee Konitz
"I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound."
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Lee Konitz
"Sound is the first thing that we tune into."
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Lee Konitz
"I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to."
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Lee Konitz
"I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that."
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Lee Konitz
"Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary."
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Lee Konitz
"A lot of bands were doing remotes from ballrooms around the country."
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Lee Konitz
"I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart."
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Lee Konitz
"I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double."
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