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"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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"It was supposed to be a year or two just to refresh my batteries, but I moved to Silicon Valley in the early 90's, and one thing let to another, got very involved in high tech, and formed a company and it ended up doing pretty well."

"Harley-Davidson is the finest company in the world."

"When I was about seven, I started touring the globe as part of New York's La MaMa theater company - without my parents!"

"Through F1, I bought my own boat. I learned to fly my own plane and helicopter. And my job with my company is a reflection of everything motor racing taught me."

"I recognize that virtually every company that comes in here has a perspective. It's often not difficult to understand why they have the perspective that they have."

"It was really a very small company when I started and it changed very rapidly during those first periods."
Explore more quotes by Luc Ferrari

"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."

"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."

"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."

"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."

"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."

"My sisters were going out with artists and poets, and eventually it was the creative world which attracted me."

"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."

"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."

"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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