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Robert Fitzgerald

"Yes, living voices in a living language, so it seemed to us."

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"Yes, living voices in a living language, so it seemed to us."

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Donna Grant

"All our words from loose using have lost their edge."

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Personal Development

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Donna Grant

"Language is the friendliest of the things from which we cannot escape."

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Donna Grant

"'Mean to' don't pick no cotton."

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Donna Grant

"If Bengali is my mother, then English is my father and friend."

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Donna Grant

"The Eskimo has fifty-names for snow because it is important to them there ought to be as many for love."

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Donna Grant

"Putting it into words will destroy any meaning."

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Donna Grant

"Why people use "Was" I have heard some people to say "I was a smart kid at school - Eminem", but why "Was", was is a word for describing the past... which will mean that has started and ended... so what??? How to get it now? You aren't wise, are you?"

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Donna Grant

"He is forced to coin words himself, and, taking his pain in one hand, and a lump of pure sound in the other (as perhaps the people of Babel did in the beginning), so to crush them together that a brand new word in the end drops out."

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Donna Grant

"Words are the fallen ruins of silent majesty."

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Donna Grant

"Kitai blinked slowly. "Why would you use the same word for these things? That is ridiculous.""We have a lot of words like that," Tavi said. "They can mean more than one thing.""That is stupid," Kitai said. "It is difficult enough to communicate without making it more complicated with words that mean more than one thing."

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Robert Fitzgerald
"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."

Art

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Robert Fitzgerald
"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."

Imagination

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Robert Fitzgerald
"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

Now

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Robert Fitzgerald
"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."

Heart

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Robert Fitzgerald
"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."

Encouragement

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Robert Fitzgerald
"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."

Language

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Robert Fitzgerald
"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

Now

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Robert Fitzgerald
"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."

Quality

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Robert Fitzgerald
"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."

Reading

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Robert Fitzgerald
"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."

Language

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