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"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."
Author Name
Personal Development
"The empty vessel makes the loudest sound."
Author Name
Personal Development
"The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it."
Author Name
Personal Development
"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."
Author Name
Personal Development
"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."
Author Name
Personal Development
"The sound of the orchestra is one of the most magnificent musical sounds that has ever existed."
Author Name
Personal Development
"If I'm playing a violin thing, for instance, I tend to respond to that sound with the way I finger."
Author Name
Personal Development
"If you're a good singer, you're going to make anything sound good."
Author Name
Personal Development
"I realized that equipment really had little to do with why I sound like the way I sound."
Author Name
Personal Development
"I always got a kick out of it when they called it the California Sound because it really came out of Liverpool and Greenwich Village."
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Personal Development
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"She wanted us to feel we were above everyone in the town. She really did tell us that we were related to Chief Justice John Marshall, and that may have been true. I never did bother to find out."
Justice
"It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!"
Mother
"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."
Mother
"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things."
Time
"My children didn't when they were little because I thought that they had to be of a certain age. I hoped they liked me well enough not to want to see me in that sort of a spot."
Age
"Cary Grant and I were doing a play in New York. He had a crush on me. Whenever we went to a party, he would always sit on the floor beside me. I thought that was kind of beautiful, like that's where he wanted to be."
Thought
"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."
Sound
"When it was over my daughter said, 'Oh, I felt so sorry for him - he didn't want to hurt you, he liked you.' That was Victoria. When you visualize him up there on top of the Empire State Building, you do feel sorry for him."
Daughter
"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."
Thought
"When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do."
Horror
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