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Terence Fisher

"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."

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"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."

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Akiroq Brost

"The role of a writer is not to say what we all can say, but what we are unable to say."

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Akiroq Brost

"Never to rush something I was creating, but instead let it come into being as if it had a soul of it's own."

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Akiroq Brost

"A poet is someone who never forgets they were born naked."

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Akiroq Brost

"For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication."

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Akiroq Brost

"On the whole, stories don't write themselves."

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Akiroq Brost

"The artist in me cries out for design."

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Akiroq Brost

"The first time I saw a mermaid in my dream, and she looked so real...THAT.'s fishy!!"

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Akiroq Brost

"You might not write well every day, but you can always edit a bad page. You can't edit a blank page."

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Akiroq Brost

"Be an artist, in whatever little faculty possible.For the Earth, without 'Art' is just 'Eh"

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Akiroq Brost

"What doesn't kill me provides writing material."

Explore more quotes by Terence Fisher

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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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