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Lee Konitz

"Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode."

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"Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode."

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A.E. Samaan

"Great was the name of Abraham, but all his Sons were not accepted; only Isaac was in the Covenant."

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A.E. Samaan

"Back then, everyone was Lana and Rock. No one had ethnic names."

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A.E. Samaan

"Every drummer that had a name, had a name because of his individual playing. He didn't sound like anybody else, So everybody that I ever listened to, in some form, influenced my taste."

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A.E. Samaan

"I am financing the recording myself. So I have no big names to drop."

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A.E. Samaan

"I am very proud of my name. My full name is Richard Treat Williams."

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A.E. Samaan

"I was this person with this weird last name from New York that no one had ever heard of. But my screen test I guess, according to him, was the best. So I got the part, which was incredible."

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A.E. Samaan

"I remember a couple of instrumental albums, just don't ask the names."

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A.E. Samaan

"It's not how big your pencil is; it's how you write your name."

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A.E. Samaan

"Captain is a good travelling name and so I take it."

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A.E. Samaan

"Deep Throat was a very unfortunate name given to the source by the managing editor of The Washington Post."

Explore more quotes by Lee Konitz

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Lee Konitz
"It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music."
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Lee Konitz
"After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way."
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Lee Konitz
"I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound."
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Lee Konitz
"Sound is the first thing that we tune into."
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Lee Konitz
"I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to."
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Lee Konitz
"I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that."
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Lee Konitz
"Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary."
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Lee Konitz
"A lot of bands were doing remotes from ballrooms around the country."
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Lee Konitz
"I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart."
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Lee Konitz
"I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double."
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