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"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."
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"There are so few directors who are musical who appreciate music."
"I can see me continuing to make the best music I can, and let the chips fall where they may."
"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."
"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."
"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."
"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."
"A song has to become as much a part of you as a tailored suit."
"There's nothing to compare to live music, there just isn't anything."
Explore more quotes by Leo Ornstein
"To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision."
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."
"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."
"When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there."
"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."
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