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Leo Ornstein

"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."

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"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."

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Donna Grant

"One must indeed test the strings to this life, bounce the bow, wet the mouthpiece, prepare for the deeper music that follows."

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"Miranda raised her eyebrows. Apparently she hadn't figured me for a country music fan. I liked her for that."

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"Music reveals the deepest beauty of the soul."

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Donna Grant

"Music fills the void between the heart and soul and connects them in heavenly delights."

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Donna Grant

"I listen to music constantly while writing."

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Donna Grant

"Music heard so deeplyThat it is not heard at all, butyou are the musicWhile the music lasts."

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Donna Grant

"Music is the song of eternal love which touches the soul and fills us with joy."

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Donna Grant

"I think there is a song out there to describe just about any situation."

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Donna Grant

"Music is the language of the universe, which everyone, including all animals, can understand."

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Donna Grant

"Tax not so bad a voice to slander music any more than once."

Explore more quotes by Leo Ornstein

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."
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Leo Ornstein
"Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether."
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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."
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Leo Ornstein
"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."
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Leo Ornstein
"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."
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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."
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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."
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Leo Ornstein
"I distrust anything that you don't hear."
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Leo Ornstein
"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."
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