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"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world."
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"There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives."
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Personal Development

"Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies."
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Personal Development

"We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama."
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Personal Development

"I'm also doing constant book readings, movies. You name it, I'm doing it."
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Personal Development

"If movies are causing moral decay, then crime ought to be going up, but crime is going down."
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Personal Development

"At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!"
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Personal Development

"When I think of the definition of cool and when I look at people, John Travolta is really the definition of cool because, not only is he great in all his movies, but, as a person, he's just really cool."
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Personal Development

"That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end."
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Personal Development

"Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger."
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Personal Development

"Sometimes you find that there is better material in small and more independent movies. There's more risk-taking."
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"Steven and I have worked together a lot and I'm far ahead of the curve than most people in knowing what he wants, but he knows far more than I know about what's important for the story. So, most of the changes he will make will involve story changes."
People

"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world."
Movies

"And I also trust that there's more than one way to do something."
Trust

"You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening."
Character

"So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically."
Design

"What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be shot down."
Work

"But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great."
Thought

"I took business classes as a back up but I made movies all the time. I would get my classes done in two days and then spend the rest of the time making my movies."
Business

"Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it."
Respect

"I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie."
Work
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