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Robert Fitzgerald

"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

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"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

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Donna Grant

"If you have tears, prepare to shed them now."

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Personal Development

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Donna Grant

"Do not postpone your problems, solve them now! Because tomorrow you might be weaker than today and there might arise additional problems! Unsheathe your sword now; forget tomorrow, time is now!"

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Donna Grant

"The Bermuda Triangle got tired of warm weather. It moved to Alaska. Now Santa Claus is missing."

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Donna Grant

"If you're not failing every now and again, it's a sign you're not doing anything very innovative."

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Donna Grant

"I had redesigned my entire amplifier system for this tour because airlines are very strict now."

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Donna Grant

"It will be a difficult couple of days. It's difficult now and it will be difficult tomorrow."

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Donna Grant

"So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that."

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Donna Grant

"If I were to write Web now, it would be a much, much darker book."

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Donna Grant

"You go out with a girl you used to date, she looks so damn good, and then at a certain point you say, Boy, now I remember. I know why I left!"

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Donna Grant

"I'll tell you what 20 years teaches you - is that if one thing doesn't last something else will come down the pipe and to go from that and to do these films now."

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Robert Fitzgerald
"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."

Imagination

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Robert Fitzgerald
"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."

Now

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Robert Fitzgerald
"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."

Heart

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Robert Fitzgerald
"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."

Encouragement

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Robert Fitzgerald
"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."

Language

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Robert Fitzgerald
"In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?"

Now

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Robert Fitzgerald
"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."

Quality

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Robert Fitzgerald
"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."

Reading

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Robert Fitzgerald
"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."

Language

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Robert Fitzgerald
"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."

Being

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