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"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."
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"I ride horseback - arthritic knees permitting - or listen to opera. Sometimes I cook. I used to do needlework, but it's hard on my hands now, so I only do it occasionally, but I like it. And, of course, I read."

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"The dollar went up some eighty percent in real terms as I recall now or something like that - from '80 to '85."
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"I have now exactly the same weight I had when I was 18, 20."

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Explore more quotes by Robert Fitzgerald


"The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer."


"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."


"Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect."


"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."


"There must of course be a relationship between translating and making poems of your own, but what it is I just don't know."


"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."


"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."


"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."


"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."


"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."
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