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Robert Fripp

"What is necessary is possible, what we want is expensive. What is unnecessary is unlikely."

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"What is necessary is possible, what we want is expensive. What is unnecessary is unlikely."

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"We want to win. We want to win big. We want to win the whole thing."

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"When you focus on want, you become an endless cycle of wants."

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"I didn't want to do just another set of recipes. I think that's useless."

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"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."

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"The less I have, the freer I am to do whatever I want to do."

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"Survivor is like rock 'n' roll - you can do what you want."

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"I was number one in the ratings four times last year and twice this season. What could be more damn equal than that? If they get any more equal, I don't want it."

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"Clearly, the Chinese know that we want a good relationship with them."

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"I do want to go another way - to write something completely different."

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Amber Hurdle

"When they are alone they want to be with others, and when they are with others they want to be alone. After all, human beings are like that."

Explore more quotes by Robert Fripp

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Robert Fripp
"So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending."
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Robert Fripp
"But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training."
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Robert Fripp
"Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance."
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Robert Fripp
"If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no."
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Robert Fripp
"I'd say that what we hear is the quality of our listening."
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Robert Fripp
"If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?"
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Robert Fripp
"Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert."
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Robert Fripp
"However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously."
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Robert Fripp
"Music can be transformative, utterly transformative. The act of music is utterly transformative."
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Robert Fripp
"The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?"
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