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"Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are."
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"It seems to me that the pleasure one feels in a work of art is just one thing that one does not have to explain."

"Works of art are infinitely solitary and nothing is less likely to reach them than criticism. Only love can grasp them and hold them and do them justice."

"The cat . . . is for the man who appreciates beauty as the one living force in a blind and purposeless universe."

"The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part."

"A slight deviation form what we would think of as symmetry gives us a bit more information and the mind seems to enjoy this stimulation because it is always looking for value. Beauty is a slight deviation from expectation."

"Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed."

"No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful."

"I hate people who collect things and classify things and give them names and then forget all about them. That's what people are always doing in art. They call a painter an impressionist or a cubist or something and then they put him in a drawer and don't see him as a living individual painter any more."

"The best works of art are never innocuous: they alter the viewer's perceptual predictions. It is only when the patterns of our vision are disrupted that we truly pay attention and must ask ourselves what we are looking at."
Explore more quotes by Nathaniel Hawthorne

"The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is to resist the doubt; and the profoundest wisdom, to know when it ought to be resisted, and when it be obeyed."

"Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them."

"As a general rule, Providence seldom vouchsafes to mortals any more than just that degree of encouragement which suffices to keep them at a reasonably full exertion of their powers."

"It is the unspeakable misery of a life so false as his, that it steals the pith and substance out of whatever realities there are around us, and which were meant by Heaven to be the spirit's joy and nutriment. To the untrue man, the whole universe is false-it is impalpable-it shrinks to nothing within his grasp. And he himself in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist."

"In either case, there was very much the same solemnity of demeanour on the part of the spectators, as befitted a people among whom religion and law were almost identical, and in whose character both were so thoroughly interfused, that the mildest and severest acts of public discipline were alike made venerable and awful."

"It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual life upon another; each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his object."

"Like all other music, it breathed passion and pathos, and emotions high or tender, in a tongue native to the human heart, wherever educated."

"In our nature, however, there is a provision, alike marvelous and merciful, that the sufferer should never know the intensity of what he endures by its present torture, but chiefly by the pang that rankles after it."
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