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"Then the early punk rock period with Television and the Ramones. That's what I loved- that's what I was listening to immediately prior to when I started to play."
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"Smartass Disciple : Master, why you keep telling about the truth? Nobody hears.Master of Stupidity : O Yea. They hear but don't listen. Anyway, no fun in silent."

"To Become an Attentive Listener . . . Observe a person's physical presence to see how their body language aligns with their message. Recognize what is being said on the surface. Engage your intuition to hear the meaning, purpose, and motivation behind their message. Be aware of your own internal responses and how you are feeling. Put yourself in their shoes to better understand their perspective."

"How do you know when to advance the conversation or when there's something still unresolved? When you are situationally aware, you watch the body language and notice the cues that are given to you. Listening and observing are being mindful in the best sense of the word."

"You can have the perfect message, but it may fall on deaf ears when the listener is not prepared or open to listening.These listening "planes" were first introduced by the American composer Aaron Copland (1900-1990) as they pertain to music . . . 1. The Sensual Plane: You're aware of the music, but not engaged enough to have an opinion or judge it.2. The Expressive Plane: You become more engaged by paying attention, finding meaning beyond the music, and noticing how it makes you feel.3. The Musical Plane: You listen to the music with complete presence, noticing the musical elements of melody, harmony, pitch, tempo, rhythm, and form."

"It is a tremendous gift to simply and truly listen to another."

"The ears and the heart are connected, it's true,for when ears open wide, the heart opens up too."
Explore more quotes by Arto Lindsay

"I had this idea for a while to do mix this Al Green vibe with a samba thing. I tried to do that in many different ways. Peter added his own modern notion of funk and his own deep background in classical music."

"There was some conflict there over Saturday nights because we were all really broke in those days- all the money you had in the world was in your pockets. Nowadays when you're say you're broke, it's not the same thing."

"Then the early punk rock period with Television and the Ramones. That's what I loved- that's what I was listening to immediately prior to when I started to play."

"It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place."

"Certainly since then many people have taken a lot of those ideas and ridden them for years and years and made careers out of them. Part of that is willingness to do the kind of work that I wasn't willing to do. Get into a van and cover the country."

"We were interested in this notion of compression- a lot of the songs were really short so that you'd absorb them in memory rather than when you're actually hearing them."

"We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play."

"We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it."
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