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"Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of DAaz Casanueva; in that language in which JoaquAn Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!"
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"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."

"Create with the heart, build with the mind."

"Art in the blood is liable to take the strongest forms."

"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."

"Freedom and fullness of expression are of the essence of the art."

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"Most critics, fond of subservient artstill make the whole depend upon a part.They talk of principles, but notions prizeAnd all to one loved folly sacrifice."

"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."
Explore more quotes by Pablo Neruda

"A book,a book fullof human touches,of shirts,a bookwithout loneliness, with menand tools,a bookis victory."

"Our love was bornoutside the walls,in the wind,in the night,in the earth,and that's why the clay and the flower,the mud and the rootsknow your name."

"Well, nowIf little by little you stop loving meI shall stop loving youLittle by littleIf suddenly you forget meDo not look for meFor I shall already have forgotten youIf you think it long and mad the wind of banners that passes through my lifeAnd you decide to leave me at the shore of the heart where I have rootsRememberThat on that day, at that hour, I shall lift my armsAnd my roots will set off to seek another land."

"I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word."

"I hunger for your sleek laugh and your hands the color of a furious harvest. I want to eat the sunbeams flaring in your beauty."

"Oh invade me with your scalding mouth,search me if you like, with your nocturnal eyes,but allow me to sail and sleep upon your name."

"Donde termina el arco iris,en tu alma o en el horizonte?Where does the rainbow end,in your soul or on the horizon?"
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