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Bill Sienkiewicz

"So, when the special effects are at the service of the story and draw you into it, that is really the magic."

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"So, when the special effects are at the service of the story and draw you into it, that is really the magic."

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Amber Hurdle

"What so tedious as a twice-told tale?"

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Amber Hurdle

"Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing!"

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Amber Hurdle

"If you want to know someone's story, they have to tell it aloud. But every time, the telling is a little but different. It's new, even to me."

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Amber Hurdle

"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."

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Amber Hurdle

"To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else."

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Amber Hurdle

"The world is full of stories, but the stories are all one."

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Amber Hurdle

"That's the kind of stories I know. Sad ones. Anyway, taken to it's logical conclusion, every story is sad, because at the end everyone dies."

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Amber Hurdle

"This is how deeply rooted stories are, folks. We crave them before we can walk, and we start telling them before we can talk."

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Amber Hurdle

"A story has value whether it's true or not."

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Amber Hurdle

"As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper."

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Bill Sienkiewicz
"Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident."

Being

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Bill Sienkiewicz
"But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube."

Reading

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Bill Sienkiewicz
"People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to."

People

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Bill Sienkiewicz
"So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different."

Interest

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Bill Sienkiewicz
"So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration."

Truth

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Bill Sienkiewicz
"So much of Jaws was amazing because the mind filled in what was missing."

Mind

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Bill Sienkiewicz
"After that I jumped, especially being in art school, to the illustrators."

Art

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Bill Sienkiewicz
"For a while I felt very alone; sort of out there in the world of comics, especially here in the States."

Reading

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Bill Sienkiewicz
"It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed."

Art

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Bill Sienkiewicz
"Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story."

Adaptation

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