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David Cronenberg

"The problem with doing a schlocky or big budget studio film is that it wouldn't actually be fun for me. It wouldn't be exciting."

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"The problem with doing a schlocky or big budget studio film is that it wouldn't actually be fun for me. It wouldn't be exciting."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I prefer film and that's what I think I'm gonna put my focus on."

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Amber Hurdle

"My husband. He keeps me grounded. If I were in the world on my own, it would all be much more seductive. But I'm in a relationship that has nothing to do with the film world."

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David Cronenberg
"Each kid has a different level of expertise and some of them are very raw and inexperienced and some are incredibly mature and experienced. So you just have to go with what they are rather than have some abstract technique that you're going to try to apply to them."
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David Cronenberg
"Do you remember when you found out you wouldn't live forever? People don't talk about this, but everybody had to go through it because you're not born with that knowledge."
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David Cronenberg
"I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film."
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David Cronenberg
"Nah, I've done sex scenes before, you know, like in video."
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David Cronenberg
"But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be."
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David Cronenberg
"For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors."
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David Cronenberg
"Re-writing is different from writing. Original writing is very difficult."
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David Cronenberg
"We are at a major epoch in human history, which is that we don't need sex to recreate the race. You can have babies without sex. This is the first time in human history that has been true, and it means, for example, we could do some extraordinary things."
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David Cronenberg
"Censors tend to do what only psychotics do: they confuse reality with illusion."
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David Cronenberg
"When you're in the muck you can only see muck. If you somehow manage to float above it, you still see the muck but you see it from a different perspective. And you see other things too. That's the consolation of philosophy."
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