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Sean Booth

"We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own."

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"We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own."

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Akiroq Brost

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Akiroq Brost

"Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars."

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Akiroq Brost

"I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilised music in the world."

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Akiroq Brost

"I'm half Jewish, I'm half black, I look in-between. I dress funny. I play all these different styles of music on one record. It's like, What is he doing?"

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Akiroq Brost

"After silence, that which comes nearest to expressing the inexpressible is music."

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Akiroq Brost

"Classical music is the kind we keep thinking will turn into a tune."

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Akiroq Brost

"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

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Akiroq Brost

"Orgy-porgy, round and round and round, beating one another in six-eight time."

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Akiroq Brost

"Well my music was different in high school; I was singing about love - you know, things I don't care about anymore."

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Akiroq Brost

"I think there is a song out there to describe just about any situation."

Explore more quotes by Sean Booth

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Sean Booth
"Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances."
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Sean Booth
"We're more into sort of fluid structures that are simultaneously the most efficient, the most beautiful, and the most engineered. You know what I mean? We like the balance you can get in there."
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Sean Booth
"I don't know whether I'm, like, jumping the gun but it's possible that in the future we may be able to use the information that we can't receive at the moment."
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Sean Booth
"A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar."
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Sean Booth
"I'm well into sort of Santiago Calatrava and people like that."
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Sean Booth
"I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks."
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Sean Booth
"It doesn't really exist; it's just basically lots of different stages between the two pieces, and you end up with, like, a third shape that doesn't exist but is suggested to you by the image."
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Sean Booth
"They've been brought up on the best music. It's gonna be so good."
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Sean Booth
"I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together."
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Sean Booth
"It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like."
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