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Leo Ornstein

"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

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"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

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Amber Hurdle

"In the first place, Descartes stands for the most explicit and uncompromising dualism between mind and matter."

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Amber Hurdle

"I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet."

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Amber Hurdle

"The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason."

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Amber Hurdle

"Except during the nine months before he draws his first breath, no man manages his affairs as well as a tree does."

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Amber Hurdle

"When they first grabbed us, yeah, it terrified, but they calmed me down."

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Amber Hurdle

"George was getting alot of independence for himself in those days. He was writing more, and wanted things to go his way - where, when we first started things basically went John and Paul's way. You know, 'cuz they were the writers."

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Amber Hurdle

"First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice."

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Amber Hurdle

"The first lady is, and always has been, an unpaid public servant elected by one person, her husband."

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Amber Hurdle

"The first object of my endeavours was the means to become perfect and happy."

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Amber Hurdle

"The first thing I think of when I hear the name of Lucille Ball is a Hollywood legend. I have fond memories of growing up at her house, but she was a different person off the set than she was on the set."

Explore more quotes by Leo Ornstein

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Leo Ornstein
"I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music."
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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."
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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."
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Leo Ornstein
"Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether."
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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."
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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."
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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."
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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."
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Leo Ornstein
"I distrust anything that you don't hear."
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