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Leo Ornstein

"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

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"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

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Amber Hurdle

"In the first place, Descartes stands for the most explicit and uncompromising dualism between mind and matter."

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Personal Development

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Amber Hurdle

"Except during the nine months before he draws his first breath, no man manages his affairs as well as a tree does."

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Amber Hurdle

"Australian SF book publishing has undergone a boom recently, and sometimes it's easier for new writers to sell a book to a local publisher first, which then makes a US edition more likely."

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Amber Hurdle

"I learned to speak first, and then to sign. I have never really known what it was like to hear, so I can't compare hearing aids to normal hearing."

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Amber Hurdle

"The first question which you will ask and which I must try to answer is this; What is the use of climbing Mount Everest? and my answer must at once be, it is no use. There is not the slightest prospect of any gain whatsoever."

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Personal Development

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Amber Hurdle

"First you find a little thread, a little thread leads you to a string, and the string leads you to a rope. And from the rope you hang by the neck."

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Personal Development

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Amber Hurdle

"Definitely not a sitcom, that's my first condition. No sitcoms."

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Personal Development

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Amber Hurdle

"It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band."

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Amber Hurdle

"You know, I once leased a Mercedes because I got a good deal on it because of my first name."

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Amber Hurdle

"When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies."

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

Now

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Leo Ornstein
"Hopefully, I have a certain amount of what you call musical talent."

Talent

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

Music

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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

Difference

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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."

Connection

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Leo Ornstein
"But in the end, music is ultimately an aural art, pure and simple."

Music

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Leo Ornstein
"Of all the arts, music is really the most abstract."

Music

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."

Music

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."

Music

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Leo Ornstein
"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."

First

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