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Edith Wharton

"The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part."

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"The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part."

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"A goatee is to beards what diamonds are to ornaments."

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"It does not much matter that an individual loses two or three hundred pounds in buying a bad picture, but it is to be regretted that a nation should lose two or three hundred thousand in raising a ridiculous building."

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"They wore their strange beauty like war paint."

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"Beauty is truth - truth beauty - that is all Ye know on earth and all ye need to know."

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"The light music of whisky falling into glasses made an agreeable interlude."

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Asa Don Brown

"I hate people who collect things and classify things and give them names and then forget all about them. That's what people are always doing in art. They call a painter an impressionist or a cubist or something and then they put him in a drawer and don't see him as a living individual painter any more."

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Asa Don Brown

"Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed."

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Asa Don Brown

"It was very still. The tree was tall and straggling. It had thrown its briers over a hawthorn-bush, and its long streamers trailed thick, right down to the grass, splashing the darkness everywhere with great spilt stars, pure white. In bosses of ivory and in large splashed stars the roses gleamed on the darkness of foliage and stems and grass. Paul and Miriam stood close together, silent, and watched. Point after point the steady roses shone out to them, seeming to kindle something in their souls. The dusk came like smoke around, and still did not put out the roses."

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Asa Don Brown

"A slight deviation form what we would think of as symmetry gives us a bit more information and the mind seems to enjoy this stimulation because it is always looking for value. Beauty is a slight deviation from expectation."

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Asa Don Brown

"Beauty is subjective. You know how sometimes what makes a person attractive is the way they make you laugh or how it seems like they can read your mind?"

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Edith Wharton
"That very afternoon they had seemed full of brilliant qualities, now she saw that they were merely dull in a loud way."
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Edith Wharton
"Overhead hung a summer sky furrowed with the rush of rockets; and from the east a late moon, pushing up beyond the lofty bend of the coast, sent across the bay a shaft of brightness which paled to ashes in the red glitter of the illuminated boats."
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Edith Wharton
"You mustn't tell your dreams. Miss Testvalley says nothing bores people so much as being told other people's dreams. Nan said nothing, but an iron gate seemed to clang shut in her - the gate that was so often slammed by careless hands. As if anyone could be bored by such dreams as hers!"
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Edith Wharton
"Some men," Flamel irresistibly added, "think of books merely as tools, others as tooling. I'm between the two; there are days when I use them as scenery, other days when I want them as society; so that, as you see, my library represents a makeshift compromise between looks and brains, and the collectors look down on me almost as much as the students."
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Edith Wharton
"A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness."
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Edith Wharton
"Life is either always a tightrope or a feather bed. Give me the tightrope."
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Edith Wharton
"A sense of having been decoyed by some world-old conspiracy into this bondage of body and soul filled her with despair. If marriage was the slow life-long acquittal of a debt contracted in ignorance, then marriage was a crime against human nature."
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Edith Wharton
"Life is always a tightrope or a feather bed. Give me the tightrope."
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Edith Wharton
"Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before."
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Edith Wharton
"She had no tolerance for scenes which were not of her own making."
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