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Issey Miyake

"From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh."

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"From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh."

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Assegid Habtewold

"Think of what you desire out of life."

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"Most people don't think most of the time. They just use other people's thoughts as a crutch to get by."

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"I mean, I've had bartenders and waiters and waitresses make a comment about a joke of mine, like pointing out some sort of logic error or something that I've never even thought about, and they're right."

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"It is too ordinary for us to think we are too ordinary. It is too unwise for us to think we are too wise. It is too sinful for us to think we are too sinful beyond pardon. It would be too unrighteous for us to think we are too righteous. There is always something we may think about, but let us think about something!"

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Assegid Habtewold

"I thought, well of course, Kinsey absolutely adored teaching. He was a wonderful teacher. So these kids really inspired me. So that was a clue I hung onto. He loved young people, he absolutely loved them. And he loved teaching them and trying to help them."

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"I thought The Shining was just absolutely wonderful. Stephen King reaches all kinds of people. In the beginning he was just dismissed out of hand, which was terrible."

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"But here's my point to the LA Times. If you had a serious story to run, if you thought there was serious misconduct, you don't wait until the Thursday before the Tuesday. You run it early."

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Assegid Habtewold

"Thought and theory must precede all salutary action; yet action is nobler in itself than either thought or theory."

Explore more quotes by Issey Miyake

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Issey Miyake
"The purpose - where I start - is the idea of use. It is not recycling, it's reuse."
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Issey Miyake
"I have worked with several dance companies."
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Issey Miyake
"To be honest, I think we should find first the possibility to make it. Research is first - if you're not interested, you never can find something. Many things happen from forgotten machines - ones that are no longer used."
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Issey Miyake
"We can also cut by heat - heat punch. And we also can cut by cold - extreme cold. When you cut with heat, it makes a mark. With cold, no mark. It depends on the fabric."
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Issey Miyake
"I sent 200, 300 of the clothes that I had made, and the dancers chose what they liked."
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Issey Miyake
"You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it."
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Issey Miyake
"One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else."
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Issey Miyake
"Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process."
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Issey Miyake
"I started to work with cotton fabrics. I used cotton because it's easy to work with, to wash, to take care of, to wear if it's warm or cold. It's great. That was the start."
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Issey Miyake
"Well, what I'm doing is really clothing. I'm not doing sculpture."
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