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"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."
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"Unhappiness is best defined as the difference between our talents and our expectations."

"In theory, there is no difference between theory and practice. But, in practice, there is."

"The difference between a healthy person and one who is mentally ill is the fact that the healthy one has all the mental illnesses, and the mentally ill person has only one."

"Sitting by the chimney corner as we grow old, the commonest things around us take on live meanings and hint at the difference between these driving times and the calm, slow moving days when we were young."

"I waited and worked, and watched the inferior exalted for nearly thirty years; and when recognition came at last, it was too late to alter events, or to make a difference in living."

"There is a great difference between knowing and understanding: you can know a lot about something and not really understand it."

"Don't accept that you can't make a difference. Because if you can't make a difference, you won't make a difference, and if you put a multiplier on that we will continue on an unsustainable pathway."

"The counterpart of the suicide is the seeker; but the difference between them is slight."

"One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality."

"It's not what you play but what you leave out that makes the difference."
Explore more quotes by Leo Ornstein

"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."

"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."

"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."

"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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