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Leo Ornstein

"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

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"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

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Explore more quotes by Leo Ornstein

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."
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Leo Ornstein
"To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision."
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Leo Ornstein
"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."
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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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Leo Ornstein
"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."
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Leo Ornstein
"I distrust anything that you don't hear."
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Leo Ornstein
"When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there."
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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."
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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."
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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."
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