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Leo Ornstein

"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

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"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

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Explore more quotes by Leo Ornstein

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."
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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."
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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."
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Leo Ornstein
"I distrust anything that you don't hear."
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Leo Ornstein
"Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing."
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Leo Ornstein
"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."
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Leo Ornstein
"Of all the arts, music is really the most abstract."
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Leo Ornstein
"Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear."
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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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Leo Ornstein
"But in the end, music is ultimately an aural art, pure and simple."
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