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"I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to it and first-person camera view that is a new thing for me. I've done some stuff like that before, but nothing like the extent of this and digitally."
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"I abhor war and view it as the greatest scourge of mankind."
"The connection between dress and war is not far to seek; your finest clothes are those you wear as soldiers."
"The fleet sailed to its war base in the North Sea, headed not so much for some rendezvous with glory as for rendezvous with discretion."
"That's my town,' Joaquin said. 'What a fine town, but how the buena gente, the good people of that town, have suffered in this war.' Then, his face grave, 'There they shot my father. My mother. My brother-in-law and now my sister.' 'What barbarians,' Robert Jordan said. How many times had he heard this? How many times had he watched people say it with difficulty? How many times had he seen their eyes fill and their throats harden with the difficulty of saying my father, or my brother, or my mother, or my sister? He could not remember how many times he heard them mention their dead in this way. Nearly always they spoke as this boy did now; suddenly and apropos of the mention of the town and always you said, 'What barbarians."
"So far war has been the only force that can discipline a whole community and until an equivalent discipline is organized I believe that war must have its way."
"In the matter of war, ask this question to yourself and to your own fellow country men: Have you ever seen any politician in your country without legs, without arms, without eyes after war? No! You can't see such a thing because honourless politicians always stay in the safe ports while they send others to the zone of death!"
Explore more quotes by Dennis Muren
"And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that."
"What you want to do is, you want to get away from people being afraid to show their work, which is the first thing, because they don't want to be shot down."
"I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie."
"I have never had trouble with any actor being able to visualise things. They are amazing. As long as you have your monster head on a long stick, so you can hold it up there and you can wave it around and let them see it and explain it to them, they are just great."
"I took business classes as a back up but I made movies all the time. I would get my classes done in two days and then spend the rest of the time making my movies."
"But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great."
"You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening."
"Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it."
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