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Michel Legrand

"Here is how I work: when I think that a film needs to have a principal theme, I search for a melody."

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"Here is how I work: when I think that a film needs to have a principal theme, I search for a melody."

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"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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"I'm not interesting enough on my own that you'd want to see a film about me."

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"I always approach film as a fan."

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"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."

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"When I finish a film, I put it away and I never look at it again."

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"Well, Barry, it's your film. So if it rises or falls, you're the man."

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Amber Hurdle

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

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Amber Hurdle

"I think a film should have a gestation period of at least two or three years."

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Amber Hurdle

"It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s."

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Michel Legrand
"My father had left behind an old piano. My sister was already going to school, my mother was out working, and I stayed at home alone with my adorable grandmother who understood nothing I said. It was so boring that I stayed at the piano all day long, and that saved my life."
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Michel Legrand
"Here is how I work: when I think that a film needs to have a principal theme, I search for a melody."
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