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"Have you thought of an ending?""Yes, several, and all are dark and unpleasant.""Oh, that won't do! Books ought to have good endings. How would this do: and they all settled down and lived together happily ever after?""It will do well, if it ever came to that.""Ah! And where will they live? That's what I often wonder."
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"What so tedious as a twice-told tale?"
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Personal Development
"Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing!"
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Personal Development
"If you want to know someone's story, they have to tell it aloud. But every time, the telling is a little but different. It's new, even to me."
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Personal Development
"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."
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Personal Development
"To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else."
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Personal Development
"The world is full of stories, but the stories are all one."
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Personal Development
"That's the kind of stories I know. Sad ones. Anyway, taken to it's logical conclusion, every story is sad, because at the end everyone dies."
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Personal Development
"This is how deeply rooted stories are, folks. We crave them before we can walk, and we start telling them before we can talk."
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Personal Development
"A story has value whether it's true or not."
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Personal Development
"As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
Art
"I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?"
Freedom
"Then sudden Felagund there swayingSang in answer a song of staying,Resisting, battling against power,Of secrets kept, strength like a tower,And trust unbroken, freedom, escape;Of changing and of shifting shape,Of snares eluded, broken traps,The prison opening, the chain that snaps."
Freedom
"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."
Storytelling
"I may be a burglar...but I'm an honest one, I hope, more or less."
Morality
"How do you go on, when in your heart you begin to understand... there is no going back? There are some things that time cannot mend. Some hurts that go too deep."
Healing
"Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot."
Freedom
"These folk are hewers of trees and hunters of beasts; therefore we are their unfriends, and if they will not depart we shall afflict them in all ways that we can."
Conflict
"War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend."
War
"The most improper job of any man, even saints (who at any rate were at least unwilling to take it on), is bossing other men. Not one in a million is fit for it, and least of all those who seek the opportunity."
Leadership
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