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Terence Fisher

"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."

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"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."

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Amber Hurdle

"Even if there are a lot women in films, there are few who are lesbians, that people know about."

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Amber Hurdle

"No man can call himself liberal, or radical, or even a conservative advocate of fair play, if his work depends in any way on the unpaid or underpaid labor of women at home, or in the office."

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Amber Hurdle

"Unless we include a job as part of every citizen's right to autonomy and personal fulfillment, women will continue to be vulnerable to someone else's idea of what need is."

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Amber Hurdle

"What has the women's movement learned from Geraldine Ferraro's candidacy for vice president? Never get married."

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Amber Hurdle

"Massachusetts women as a rule adhere too strongly to old-time conventions."

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Amber Hurdle

"The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed."

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Amber Hurdle

"Sure, women sportswriters look when they're in the clubhouse. Read their stories. How else do you explain a capital letter in the middle of a word?"

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Amber Hurdle

"If women have young children, they are one man away from welfare."

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Amber Hurdle

"If women were particular about men's characters, they would never get married at all."

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Amber Hurdle

"Because I have work to care about, it is possible that I may be less difficult to get along with than other women when the double chins start to form."

Explore more quotes by Terence Fisher

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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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