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Terence Fisher

"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."

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"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."

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Akiroq Brost

"If a woman possesses manly virtues one should run away from her; and if she does not possess them she runs away from herself."

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Akiroq Brost

"Women are made to be loved, not understood."

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Akiroq Brost

"The Cause of Women is generally the Cause of Virtue."

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Akiroq Brost

"How wrong it is for a woman to expect the man to build the world she wants, rather than to create it herself."

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Akiroq Brost

"Women are like teabags. We don't know our true strength until we are in hot water!"

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Akiroq Brost

"I've looked on many women with lust. I've committed adultery in my heart many times. God knows I will do this and forgives me."

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Akiroq Brost

"The three great problems of this century; the degradation of man in the proletariat, the subjection of women through hunger, the atrophy of the child by darkness."

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Akiroq Brost

"All women become like their mothers. That is their tragedy. No man does. That's his."

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Akiroq Brost

"Let's stop pretending we can arrest our way to safety and security. Despite all the fine work that policemen and women do, we have got to find other solutions to deter crime."

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Akiroq Brost

"The faces of most American women over thirty are relief maps of petulant and bewildered unhappiness."

Explore more quotes by Terence Fisher

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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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