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"Doctors tend to enter the arenas of their profession's practice with a brisk good cheer that they have to then stop and try to mute a bit when the arena they're entering is a hospital's fifth floor, a psych ward, where brisk good cheer would amount to a kind of gloating. This is why doctors on psych wards so often wear a vaguely fake frown of puzzled concentration, if and when you see them in fifth-floor halls. And this is why a hospital M.D.--who's usually hale and pink-cheeked and poreless, and who almost always smells unusually clean and good--approaches any psych patient under this care with a professional manner somewhere between bland and deep, a distant but sincere concern that's divided evenly between the patient's subjective discomfort and the hard facts of the case."
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"Even that was all consumed after two days, and the patients had to try to choke down fresh fish, just boiled in water, without salt, pepper or butter; mutton, beef, and potatoes without the faintest seasoning."
"In an area where nothing was known, medicine had to draw on social lore."
"The physicians of one class feel the patients and go away, merely prescribing medicine. As they leave the room they simply ask the patient to take the medicine. They are the poorest class of physicians."
"Many South African tribes used extracts from the African bush willow to heal the sick."
"The best medicine I know for rheumatism is to thank the Lord that it ain't gout."
"I always made a point of telling the doctors I was sane, and asking to be released, but the more I endeavored to assure them of my sanity, the more they doubted it."
"Surgeons are a singular brotherhood, Adam. To us, people aren't sacred beings crafted in the Almighty's image, no, people are joints of meat; diseased, leathery meat, yes, but meat ready for the skewer & the spit." He mimicked my usual voice, very well. "'But why *me*, Henry, are we not friends?' Well, Adam, even friends are made out of meat."
"Bedside manners are no substitute for the right diagnosis."
Explore more quotes by David Foster Wallace
"Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh."
"Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."
"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."
"Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?""I give.""You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog."
"I think the world divides neatly into those who are excited by the managed induction of terror and those who are not. I do not find terror exciting. I find it terrifying. One of my basic goals is to subject my nervous system to as little total terror as possible. The cruel paradox of course is that this kind of makeup usually goes hand in hand with a delicate nervous system that's extremely easy to terrify."
"The fraud part of me was always there, just as a puzzle piece, objectively speaking, is a true piece of the puzzle even before you see how it fits."
"LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage."
"We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story."
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