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"Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first."
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"In the first place, Descartes stands for the most explicit and uncompromising dualism between mind and matter."

"Well, first of all, let me say that - let me remind your viewers that I am recused from this investigation, and what I said this weekend is not anything new."

"I'm very fast on teaching guys. Like, when I came over here, I only had two rehearsals with the band. I wondered when I first got here... but it sure came up great."

"You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?"

"The real question was, here we had this information, Bin Laden intends to strike in the United States. We knew they had struck before in 1993 at the World Trade Center in the first bombing of the trade center."
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"They call me before they go into production, when they have a prototype, and they call legitimate saxophonists, too. As opposed to the other kind."


"It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up."


"I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio."


"When I heard Monk in person in 1955, he was playing with a quartet in a small club. The place was full of musicians, but there was no public at all."


"It starts with a single sound. If there's something in that sound, then it's worth continuing."


"Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same."
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