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"But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people."
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"If a moneyed man had a "corny mind, a flatterer would immediately start chasing him like a hungry hen!"
"An honest government is the childish dream of the gullible men!"
"A country where women are not free has no chance ever to be something good and respectable!"
"It is better to go near the truth and be imprisoned than to stay with the wrong and roam about freely, master Galilei. In fact, getting attached to falsity is terrible slavery, and real freedom is only next to the right."
"In individuals, insanity is rare; but in groups, parties, nations and epochs, it is the rule."
"Foulmouthed individuals seem to have their neuron systems replaced by colon structures, given that their terminology profusely consists of "sh*t and f*ck". ['Tolerance zero']"
"The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had."
Explore more quotes by Isabelle Huppert
"For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top."
"I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way."
"Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else."
"But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach."
"When you come to do the film, it is not the time to wonder why you do it. It's just how to do it."
"In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous."
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