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Lee Krasner

"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."

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"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."

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Angie karan

"No men are oftener wrong than those that can least bear to be so."

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Personal Development

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Angie karan

"Man is the only animal that can remain on friendly terms with the victims he intends to eat until he eats them."

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Personal Development

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Angie karan

"The true measure of a man is how he treats someone who can do him absolutely no good."

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Angie karan

"Many men are contemptuous of riches; few can give them away."

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Angie karan

"Genius: the superhuman in man."

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Angie karan

"Men exist for the sake of one another."

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Angie karan

"One man's ways may be as good as another's, but we all like our own best."

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Angie karan

"When men come to like a sea-life, they are not fit to live on land."

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Angie karan

"A man should be upright, not be kept upright."

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Angie karan

"There are certainly not so many men of large fortune in the world, as there are pretty women to deserve them."

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Lee Krasner
"I have never been able to understand the artist whose image never changes."

Art

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Lee Krasner
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."

Time

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Lee Krasner
"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."

Work

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Lee Krasner
"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."

Man

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Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."

Art

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Lee Krasner
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."

People

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Lee Krasner
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."

Memory

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Lee Krasner
"With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication."

Communication

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Lee Krasner
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."

War

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Lee Krasner
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."

Art

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