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"Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable."
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"There is no evil in the atom; only in men's souls."
"Following the war in Europe a large increase of European immigration to the United States is to be expected, of which the largest part is and always has been made up of men skilled in farming."
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"What I think we can do is help individuals understand the church teaching, but also maybe help the church understand the viewpoint of lay men and women about what they want in regard to priests, or how do they want the hierarchy to deal with them?"
"Such discoveries have led me, and other geologists, to reconsider the evidence previously derived from caves brought forward in proof of the high antiquity of Man."
"I believe that a man is the strongest soldier for daring to die unarmed."
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Explore more quotes by Lee Krasner
"Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things."
"Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced."
"People were very affected by the war. But it didn't mean you stopped painting unless you were called into the Army; then you just couldn't paint. But otherwise one continued."
"The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed."
"The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met."
"At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you."
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