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Joe Shuster

"He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that."

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"He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that."

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Amber Hurdle

"A mansion begins with one brick. A forest begins with one tree. A harvest begins with one seed. An ocean begins with one drop. A friendship begins with one gesture. A fire begins with one spark. A revolution begins with one idea."

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Amber Hurdle

"A rose started off a bud, a bird started off an egg, and a forest started off a seed."

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Amber Hurdle

"There is a difference between twenty-nine and thirty. When you are twenty-nine it can be the beginning of everything. When you are thirty it can be the end of everything."

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Amber Hurdle

"The beginning of Canadian cultural nationalism was not 'Am I really that oppressed?' but 'Am I really that boring?'"

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Amber Hurdle

"I did not win and in fact I was called into the principal's office for a consultation with my parents. But that was the beginning of my literary career."

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Amber Hurdle

"Begin at the beginning and go on till you come to the end; then stop."

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Amber Hurdle

"The difficult problems in life always start off being simple. Great affairs always start off being small."

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Amber Hurdle

"The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers."

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Amber Hurdle

"The beginnings and endings of all human undertakings are untidy."

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Amber Hurdle

"Those newspapers of the nation which most loudly cried dictatorship against me would have been the first to justify the beginnings of dictatorship by somebody else."

Explore more quotes by Joe Shuster

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Joe Shuster
"I came from Canada when I was about 10 years old, and our family settled in Cleveland, Ohio."
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Joe Shuster
"I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance."
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Joe Shuster
"I think initially we wanted to use the first letter of the character's name. We thought S was perfect."
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Joe Shuster
"Jerry reversed the usual formula of the superhero who goes to another planet. He put the superhero in ordinary, familiar surroundings, instead of the other way around, as was done in most science fiction. That was the first time I can recall that it had ever been done."
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Joe Shuster
"And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw."
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Joe Shuster
"Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline."
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Joe Shuster
"Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings."
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Joe Shuster
"Before I ever put anything on paper, Jerry and I would talk back and forth."
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Joe Shuster
"Those early sketches looked too cartoony; I really wanted to do detailed drawings - I was taking anatomy classes - but unfortunately I wasn't able to do it because of the time element."
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Joe Shuster
"I had to produce a complete page - or two or three - in one day. I took a lot of pride in my work, and I hated to do a mediocre job. Evidently, some of the writers enjoyed my work best of all for that very reason."
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