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Georg Baselitz

"The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does."

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"The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does."

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"I had a lovers quarrel with the world."

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"A person will sometimes devote all his life to the development of one part of his body - the wishbone."

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"We awaken in others the same attitude of mind we hold toward them."

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"A healthy attitude is contagious, let others catch it."

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"Men take only their needs into consideration - never their abilities."

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"Man is not the creature of circumstances, circumstances are the creatures of men. We are free agents, and man is more powerful than matter."

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"I'm bad and I'm going to hell, and I don't care. I'd rather be in hell than anywhere where you are."

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"We are a puny and fickle folk. Avarice, hesitation, and following are our diseases."

Explore more quotes by Georg Baselitz

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Georg Baselitz
"I always feel attacked when I'm asked about my painting."
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Georg Baselitz
"I don't like things that can be reproduced. Wood isn't important in itself but rather in the fact that objects made in it are unique, simple, unpretentious."
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Georg Baselitz
"I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation."
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Georg Baselitz
"Unlike the expressionists, I have never been interested in renewing the world through the vehicle of art."
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Georg Baselitz
"The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does."
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Georg Baselitz
"I always work out of uncertainty but when a painting's finished it becomes a fixed idea, apparently a final statement. In time though, uncertainty returns... your thought process goes on."
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Georg Baselitz
"I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens."
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