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"Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel."
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"Literary fiction, as a strict genre, is all but dead. Meanwhile, most genres flourish."

"Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story, to make him/her forget, whenever possible, that he/she is reading a story at all."

"She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book.It didn't."

"Where do you think they've gone?' he said.'Where what?' said Lady Ramkin, temporarily halted.'The dragons. You know. Errol and his wi - female.''Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.''But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'Lady Ramkin gave him a shy smile.'Most people seem to manage,' she said.She reached across the table and touched his hand."

"You can't burn down a made-up place."

"Flakes of snow swirled and danced across the porch. The Overlook faced it as it had for nearly three-quarters of a century, its darkened windows now bearded with snow, indifferent to the fact it was now cut off from the world. Inside its shell the three of them went about their early evening routine, like microbes trapped in the intestine of a monster."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."
Explore more quotes by Hilary Mantel


"There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing."


"You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws."


"He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves."


"Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel."


"Florence and Milan had given him ideas more flexible than those of people who'd stayed at home."


"Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife? And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad."


"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."


"The way I tell it, he says to Fitzwilliam, you would think that the blow on the head had improved him. That he actually set out to get it. That every monarch needs a blow on the head, from time to time."
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