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Libba Bray

"I've never done acid, finding it hard to go willingly to a place that could be frightening, hellish, and totally beyond my control. A place much like high school."

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"I've never done acid, finding it hard to go willingly to a place that could be frightening, hellish, and totally beyond my control. A place much like high school."

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Amber Hurdle

"It's about personal development. It's about creating your own character and pushing it to the limit. It's about pushing yourself so far out of your own and everybody else's idea of who you are and what you're capable of, that you no longer believe in limits. It's about reaching beyond your so-called potential, because your potential is never where you or anyone else expects it to be, not even close. It's about being able to say with the last breath of your life "I used all my potential and all my talents and pushed myself to the limit. I could not have fought any harder."

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Amber Hurdle

"I have seen far by seeing through the lens of Jiu Jitsu. I have exchanged a great deal of physical health for these insights, and these were trades worth making. My efforts were worth the return. I have sacrificed much in the name of this craft. Not for trophies or belts or prestige. For these fall away like dust. I pursued this art so fervently because it was not actually Jiu Jitsu I pursued. It was myself."

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Amber Hurdle

"Have a clear-cut plan on what you wish to improve, and seek opportunities to improve it. The more conscious and honest we can be about our shortcomings, the more strength we will have to improve them. We are going to train hard anyway, we are not going to sweat any more or less. It is simply imperative that the sweat is properly directed."

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Amber Hurdle

"Win told me that one isn't improved by being at the top of the mountain, one is improved by the climb."

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Amber Hurdle

"Don't ever get to the point where you can't be taught because life is a classroom and everyone owns a pen."

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Amber Hurdle

"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."

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Amber Hurdle

"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."

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Amber Hurdle

"Man (and woman) has an infinite capacity for self-development. Equally, he has an infinite capacity for self-destruction."

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Amber Hurdle

"The cost of growth is always a small act of violence."

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Amber Hurdle

"What I mean is that those thoughts, they're human. And just because you turn out differently than everyone's imagined you would doesn't mean that you've failed in some way. A kid who gets teased in one school might move to a different one, and be the most popular girl there, just because no one has any other expectations of her. Or a person who goes to med school because his entire family is full of doctors might find out that what he really wants to be is an artist instead."

Explore more quotes by Libba Bray

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Libba Bray
"You and I, we must carry on, Gemma. I cannot afford the luxury of love. I must marry well. And now I must look after you. It is my duty.""If you wish to suffer, you do so of your own free will, not on my behalf. Or Father's or Grandmama's or anyone's. You are a fine physician, Thomas. Why is that not enough?""Because it isn't," he says with a rare candor. "Only this and the hope of nothing more? A quiet respectability with no true greatness or heroism in it, with only my reputation to recommend me. So you see, Gemma, you are not the only one who cannot rule her own life."
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Libba Bray
"I got married in Florence, Italy. My husband and I were in love but totally broke, so we eloped and got married in Italy, where he was going on a business trip. We had to pull a guy off the street to be our witness. It was incredibly romantic. Florence is still one of my favorite cities in the world."
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Libba Bray
"There is no greater power on this earth than story."
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Libba Bray
"I've been thinking about that book about the boys who crash on the island....Lord of the Flies what about it....You know how you said it wasn't a true measure of humanity since there were no girls and you wondered how it would be different if there had been girls...Maybe girls need an island to find themselves. Maybe they need a place where no one's watching them so they can be who they really are."
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Libba Bray
"I stare at the pile of discarded remnants and think of my mother. Did she touch that pillar there? Does her scent still linger in a fragment of glass or a splinter of wood? A terrible emptiness settles into my chest. No matter how much I go about living, there are always small reminders that make the loss fresh again."
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Libba Bray
"I run after her, not really giving chase. I'm running because I can, because I must.Because I want to see how far I can go before I have to stop."
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Libba Bray
"Agent Jones switched to the big screen and a grainy video of MoMo sitting at his enormous desk, a swivel-hipped Elvis clock ticking behind his bewigged head. 'Death to the capitalist pigs! Death to your cinnamon bun-smelling malls! Death to your power walking and automatic car windows and I'm With Stupid T-shirts! The Republic of ChaCha will never bend to your side-of-fries -drive -through-please-oh-would-you-like-ketchup-with-that corruption! MoMo B. ChaCha defies you and all you stand for, and one day, you will crumble into the sea and we will pick up the pieces and make them into sand art."
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Libba Bray
"I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you."
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Libba Bray
"Every city is a ghost.New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park."
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Libba Bray
"To each his own magic."
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