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Agnes Varda

"I'm not interested in seeing a film just made by a woman - not unless she is looking for new images."

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"I'm not interested in seeing a film just made by a woman - not unless she is looking for new images."

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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Donna Grant

"Actually, after the release of the Bond film, the producers came back to me to offer me another one, but I didn't have any juice left for an immediate encore."

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Agnes Varda
"I had flops, I had success."
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Agnes Varda
"Hands are the tool of the painter, the artist."
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Agnes Varda
"I'm not interested in seeing a film just made by a woman - not unless she is looking for new images."
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