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"When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination."
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Exlpore more Creativity quotes
"And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is a gift and a privilege, not a right."
"We are all artists, painting the world with our thoughts while coloring the universe with our deeds."
"The most powerful creative state to bring your desires into reality is by bring the conscious and subconscious into unison then keeping your heart and mind in perfect sync."
"I think that all things, in their way, reflect heavenly truth, the imagination not least."
"Quantity produces quality. If you only write a few things, you're doomed."
"People who know how to creatively break the rules also know why the rules were there in the first place."
"My pond life with hydra is over, now I'm into the ocean world of poetry to dive deeper.."
"Writing a book is like raising a child, the only difference is you don't have the fucking part in writing a book."
Explore more quotes by Ray Bradbury
"And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is a gift and a privilege, not a right."
"Let the war turn off the families. Our civilization is flinging itself to pieces. Stand back from the centrifuge."
"I often wonder if God recognizes His own son the way we've dressed him up, or is it dressed him down?"
"Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
"The huge round lunar clock was a gristmill. Shake down all the grains of Time-the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes-and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine dispensed Time in blowing weathers."
"Now let's take up the minorities in our civilisation, shall we? Bigger the population, the more minorities. Don't step on the toes of the dog-lovers, the cat-lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that!"
"How men envy and often hate these warm clocks, these wives, who know they will live forever. So what do we do? We men turn terribly mean, because we can't hold to the world or ourselves or anything. We are blind to continuity, all breaks down, falls, melts, stops, rots, or runs away. So, since we cannot shape Time, where does that leave men? Sleepless. Staring."
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