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Sergei Eisenstein

"Language is much closer to film than painting is."

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"Language is much closer to film than painting is."

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Amber Hurdle

"I'm more likely to lose my temper on a film set than almost anywhere. Often the level of idiocy is so exalted that it's impossible to comprehend."

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Personal Development

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Amber Hurdle

"Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject."

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Personal Development

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Amber Hurdle

"There's no point in making a film out of a great book. The book's already great. What's the point?"

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Personal Development

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Amber Hurdle

"I also paint, draw and I'm into film and photography as well, and the same thing applies to all of them. You're presenting this material to the general public and hoping that they're going to 'get' what you're doing. Some don't, some do."

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Personal Development

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Amber Hurdle

"I can't do a film if I don't start with the writing."

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Personal Development

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Amber Hurdle

"If you don't generate tension in the film to begin with... you can't really make a purse out of a sow's ear, you know."

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Personal Development

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Amber Hurdle

"In any film there's always a historical implication."

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Personal Development

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Amber Hurdle

"But for me, really, the written word is always stronger than film."

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Personal Development

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Amber Hurdle

"I see Igby as my first movie as an adult, and it's a big deal for me because I really, really like the film."

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Personal Development

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Amber Hurdle

"I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result."

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Sergei Eisenstein
"Even in a less exaggerated description, any verbal account of a person is bound to find itself employing an assortment of waterfalls, lightning rods, landscapes, birds, etc."

Birds

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Sergei Eisenstein
"Language is much closer to film than painting is."

Film

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Sergei Eisenstein
"For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation."

Cinema

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Sergei Eisenstein
"The profession of film director can and should be such a high and precious one; that no man aspiring to it can disregard any knowledge that will make him a better film director or human being."

Knowledge

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Sergei Eisenstein
"Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?"

Creativity

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