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"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."
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"Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that."
"June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that."
"As far as now I can tell that most Stephen King fans don't know him well. They have read or viewed few works and their judge is based on them... that's now well knowing a writer!"
"Although I love elegant parties, dancing and dining and spending the night with a sweet woman in my arms, my life belongs to literature."
"Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. Napoleon was just a general of forgotten battles compared with the queen who paid for Shakespeare's meals and beer in the tavern. The statesman who in his time freed the slaves, even he has a few enemies in posterity, whereas the literary patron has none. We thank Gaius Maecenas for the nobility of soul we attribute to Virgil; but he isn't blamed for the selfishness and egocentricity that the poet possessed. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen."
"Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"Gently the waves would break (Lily heard them in her sleep); tenderly the light fell (it seemed to come through her eyelids). And it all looked, Mr. Carmichael thought, shutting his book, falling asleep, much as it used to look years ago."
"I read it a lot, whenever I find it in a library. Partly because I find new things every time I read it, but also because these BOOKS are always there for me. All of them are there for me. My life changes all the time, but books don't change. My reading of them changes-I can bring new things to them each time. But the words are familiar words. The world is a place you've been before, and it welcomes you back."
"This morning I took out a comma and this afternoon I put it back again."
Explore more quotes by Susan Sontag
"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."
"In the final analysis, style is art. And art is nothing more or less than various modes of stylized, dehumanized representation."
"To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better."
"Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head."
"Up to a point, the weight and seriousness of such photographs survive better in a book, where one can look privately, linger over the pictures, without talking. Still, at some moment the book will be closed. The strong emotion will become a transient one."
"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."
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