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Buddy Rich

"Every drummer that had a name, had a name because of his individual playing. He didn't sound like anybody else, So everybody that I ever listened to, in some form, influenced my taste."

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"Every drummer that had a name, had a name because of his individual playing. He didn't sound like anybody else, So everybody that I ever listened to, in some form, influenced my taste."

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A.E. Samaan

"Back then, everyone was Lana and Rock. No one had ethnic names."

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A.E. Samaan

"I remember a couple of instrumental albums, just don't ask the names."

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A.E. Samaan

"It's not how big your pencil is; it's how you write your name."

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A.E. Samaan

"Deep Throat was a very unfortunate name given to the source by the managing editor of The Washington Post."

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A.E. Samaan

"If you're in charge of managing domain name space you should treat everybody who asks for a registration the same. Whatever that is - whether it's nice or ugly or whatever - just be fair, treat them all the same."

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A.E. Samaan

"I also want to announce that I'm changing my name. I haven't told anyone. You get the scoop."

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A.E. Samaan

"In the sixties and seventies you could probably name all the great comics. It was still special."

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A.E. Samaan

"I am writing something which I find satisfying and which I am prepared to put my name to as a composer."

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A.E. Samaan

"My name is real, which probably explains why I never became a superstar... how would that look in lights?"

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A.E. Samaan

"Well, I'm Czech, but Polish, Czech, no matter, it's my name."

Explore more quotes by Buddy Rich

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Buddy Rich
"But, when you have to resort to turntables, trick lights, flashing lights, fire and all that, you're actually saying, I need this because what I do is not all that together."
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Buddy Rich
"I consider every drummer that ever played before me an influence, in every way."
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Buddy Rich
"And, well of course, Count Basie, and I think all of the black bands of the late thirties and early forties, bands with real players. They had an influence on everybody, not just drummers."
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Buddy Rich
"But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom."
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Buddy Rich
"But I think that any young drummer starting out today should get himself a great teacher and learn all there is to know about the instrument that he wants to play."
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Buddy Rich
"They're simply following what was laid down in front and they play the same thing. So, there's no great challenge In being a classical drummer."
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Buddy Rich
"I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me."
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Buddy Rich
"And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that."
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Buddy Rich
"So, to come In with a set routine it's something I've never believed in. It should depend on how you feel, because you play what you feel."
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Buddy Rich
"I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today."
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