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Andy Goldsworthy

"People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city."

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"People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city."

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"Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane... There is something awe-inspiring in one who has lost all inhibitions."

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"The last resort of kings, the cannonball. The last resort of the people, the paving stone."

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"It is not true that people are naturally equal for no two people can be together for even a half an hour without one acquiring an evident superiority over the other."

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"There are bad people who would be less dangerous if they were quite devoid of goodness."

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"Whatever good things people say of us, they tell us nothing new."

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"I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal."

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"There are only two kinds of people who are really fascinating - people who know absolutely everything, and people who know absolutely nothing."

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"Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books."

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"We confess our little faults to persuade people that we have no large ones."

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"Historians are like deaf people who go on answering questions that no one has asked them."

Explore more quotes by Andy Goldsworthy

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Andy Goldsworthy
"Confrontation is something that I accept as part of the project though not its purpose."
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Andy Goldsworthy
"I did tests on small stones before collecting and committing myself to the larger ones."
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Andy Goldsworthy
"Winter makes a bridge between one year and another and, in this case, one century and the next."
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Andy Goldsworthy
"The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it."
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Andy Goldsworthy
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
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Andy Goldsworthy
"The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break."
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Andy Goldsworthy
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
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Andy Goldsworthy
"Not being able to touch is sometimes as interesting as being able to touch."
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Andy Goldsworthy
"Even in winter an isolated patch of snow has a special quality."
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Andy Goldsworthy
"Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far."
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