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"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."
Author Name
Personal Development
"Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes."
Author Name
Personal Development
"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."
Author Name
Personal Development
"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."
Author Name
Personal Development
"I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie."
Author Name
Personal Development
"I don't think you can contrive any sound."
Author Name
Personal Development
"I don't try to sound like anyone but me anymore. If something is out of my element, I try to avoid it."
Author Name
Personal Development
"I like things that sound like maybe they shouldn't belong."
Author Name
Personal Development
"It's the group sound that's important, even when you're playing a solo."
Author Name
Personal Development
"Let's get one thing straight: there's no such thing as the Bristol sound."
Author Name
Personal Development
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"I've got holes in my guitar."
Guitar
"You can't eat fish. It's 6,000 parts DDT per million all over the world, not counting radiation."
Fish
"Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer."
People
"I'll just tell you the way it is. You ask me what time it is and I'm gonna tell you how to build a clock."
Time
"I met Leo Fender, who is the guru of all amplifiers, and he gave me a Stratocaster. He became a second father to me."
Father
"I'm constantly being influenced by the soul that's directly in front of me."
Soul
"I don't play pyrotechnic scales. I play about frustration, patience, anger. Music is an extension of my soul."
Music
"I wanted to put a sheet in explaining what all the songs are about, but they didn't do it."
Music
"Guitar Player Magazine says Dick Dale is the father of Heavy Metal, blowing up 48 amplifiers, creating the first power amplifier."
Power
"Every song is like a painting."
Painting
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